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A photo of a photo of a photo of a Laotian monk

In April 1998 I went to Luong Prabang, Laos.  It was a wonderful experience:  at that time Luong Prapang was just named a UNESCO World Heritage Site and wasn't too crowded with tourists. It seemed like half the population were Buddhist monks.  A serenity pervaded the small city up the Mae Kong River.  Every morning hundreds and hundreds of monks take to the streets to gather alms.  I visited many Buddhist temples ("Wat") and spoke to monks, many of whom spoke good English.  This monk asked me if he should quit the monkhood and go to the city and learn computers.  I told him he was already engaged in the most worthwhile path anyone could follow.  He thanked me and I asked if I could take his photo . . . he said yes, and that is the photo the young monk is holding in his outstretched hand. Several years later a friend happened to mention he would be traveling to Luong Prabang.  I asked him to bring the photo of the young monk to him, it would make a great adventure to find him and give him the photo . . . as well as take a photo of him with the photo.  My friend did just that, and that photo is the one the young monk is holding on his lap.  Several years later, you guessed it, another friend of mine was heading to Laos, and Luang Prabang, so I asked him if he was up to an adventure . . . he was and took this, final, photo of the now not-so-young monk with the two pevious photos.  I never went back to Laos, nor have any of my freinds gone there, so I have not delivered THIS photo to the young monk . . . and taken his photo with it. 

Lost Storage Media Found!

While cleaning up around my office in preparation for moving to Scotland, I found an old "back-up" storage media card from my trip to Indonesia in December 2011 that I had not uploaded.  There were some nice images on it.  This image seems strangely appropriate to me:  "Time To Go."

 

Yep, some pretty interesting images were to be found . . .

 

. . . and beautiful images not previously posted.

 

One day, outside of Yogjakarta, we were struck by a huge tropical thunder storm . . . these Indonesian boys were caught in the downpour.

 

Old weathered wall.  Old lamp.

 

That crooked table . . .

A Night On The Town: Saxophone Pub

My friend John Stiles is a blues fanatic like me.  He proposed we meet at the Saxophone Pub on Victory monument in Bangkok.  Traffic is bad, and parking hard to find around there . . . so a taxi is a must.

 

The taxi was clean and well equipped with traffic safety garlands, hanging talismans, and a dashboard Buddha.  I felt safe.

 

I rode the taxi to the nearest Sky Train station and road it to Victory Monument Station.

 

The area around Victory Monument Circle was bustling:  it is the start of the long Songkran week-end.  Many people congregate her to catch mini-vans to all parts of Thailand.

 

It was a wonderful, and hot (34c) evening to be out on a Bangkok sidewalk.  With new Sigma 35mm f1.4 low light lens on my trusty Canon 5D mark II camera, I could indulge my passion for photographing street vendor carts . . . like this one.

 

. . . and this forlorn street peddler cart operator.

 

A new shipment of display feet arrived just in time . .  for a photo. Thai streets are covered in street vendor tables of infinite interest.

 

I arrived at the Saxophone Pub early.  The opening act was an incredible acoustic folk singer. Forgive me for not knowing his name.

 

It didn't take long for the place to 'lively up' when the house band, Ped's Band, started rockin' . . .

 

These guys are good.

 

This guy is a fantastic blues guitar player . . . once he gets warmed up. 

 

He had the whole place in a blues swoon.

 

Good driving bass . . .

 

. . . a fine drummer . . .

 

. . . and a not-bad-at-all rhythm/second lead guitar played some pretty powerful interpretations of SRV and Hendrix classics.  Nice.

 

Saxophone Pub is thick with authentic atmosphere that a Hollywood set director could never duplicate.

 

Everybody who is anybody in the blues world of Thailand has played, or hopes to play, Saxophone.

 

It is nice to sit at a counter directly in front of the band.  What a scene!

 

A second band, The Emergency Band, came on at midnight.  They were very good . . . R&B . . .

 

. . . and rocked the place too.

 

My ears ringing with sweet blues and R&B, I finally gave up and left at around 1:30am and headed out into a deserted Victory Monument Circle to find a taxi home. 

New Lense Field Test: Sigma 35mm f1.4 DG HSM

Basil and I have been having that old photographer's conversation: What lens to buy next?

 

I was feeling like I had the complete set of lenses I needed . . . for the kind of photographs I take and for how I display them . . . until, that is, the new Sigma 35mm f1.4 came out!  I do a lot of night street shooting in Bangkok and around Southeast Asia, and my trusty Sigma 50mm f1.4 EX DG HSM had become my favorite (reviewed elsewhere on this site), but I found that, on a full frame Canon 5D mark II, it was sometimes too narrow in confined alleyways and dark night markets.  So . . . . I traded in my excellent Sigma 50mm f1.4 for the just released Sigma 35mm f1.4 DG HSM lens . . .  and boy, am I happy!  Very nice.

 

There was nothing wrong with the 50mm Sigma . . . . it almost never left my 5D . . . it is a fantastic lens . . . but I already like the 35mm better for this kind of street shooting.  It's Bangkok, so there is ALWAYS something to shoot, like this egg truck.

 

Very sharp indeed.  A 35mm is about as wide as you can have on your camera without distortions appearing.

 

Detail in dark/shaded areas is amazing.

 

I like walls.  Walls show their histories on their faces.  A 35mm lens in an alley is perfect for capturing this kind of thing without the barrel distortion of something wider.

 

Wall history.

 

A Bangkok alley in great detail and clarity.

 

A Bangkok alley straight from the camera (RAW), converted to a JPEG, reduced in size and posted without any PhotoShop inputs.

 

The Sigma 35mm f1.4 is not a macro lens, but you can close focus with good results.

 

Orchids are always candidates for close shooting.

 

White lobby orchids, Shangri-La Hotel Bangkok.

 

A wonderful, large, old, carved, lacquered elephant greets you at the Shangri-La Hotel.

 

The red Shangri-La elephant served as a good object to experiment on for depth of  field studies.

 

Very nice low light performance.  I couldn't be happier.

 

This is why you have an f1.4 lens: hand held shooting in a dark parking lot.  The detail in this photo at full resolution is incredible.

We All Had A Favorite Car . . .

I've had a lot of vehicles in my life, but this one stands out as a definite favorite: a 1959 Napco 4X4 Chevrolet short wheelbase Suburban.

 

This photo was taken in Monmouth, Oregon in April 1976, a year before I sold it and moved to Kinshasa, Congo.

 

Yep, I sure loved that old Suburban.

 

Monouth, Oregon, April 1976.  I painted the "crummy" (def. "A truck used to haul loggers to the forest and back.") a nice fire engine red not long after this photo was taken.  It had a 302 Chevy small block, 4bbl, headers . . . . and those wonderful 9.00.16 military tires.  Too Cool.  I miss this car very much.

 

This is the only image I have of my old '59 crummie the way it looked when I sold it.  It was a real show-stopper in its red paint and straight body.  Nice.

 

In 1985-86 I was a crew member on the IMSA World Sports Car team of Paegasus Racing, owned by Oliver Kuttner.  He had somehow acquired these unfinished "bodies in white" 1975 Iso Rivolta Lele that were left on the bankrupted Iso Rivolta Lele assembly line. Technically there is no such thing as a 1975 model . . . except these! He gave me one.  I had dreams of making one into an NHRA Super Gas class race car . . . . but, alas, I stayed in Bangkok for 17 years and never even started on it.  Oh . . . what might have been!